

I don’t know about it being a specifically “Christian package". I think it definitely fits within a broader mythological tradition of the “End of Days”, where there seems to be four possible outcomes: the complete and final annihilation of the world and all it contains, the “rebirth” or regeneration of the world to begin the cycle all over again, the destruction of the “wicked” or “faithless” and the redemption/reward of the “chosen” or “enlightened”, and the “remaking” of a blemished, woeful world into a transcendently blissful, “timeless” paradise (which has been, I guess, my personal take on “what’s most likely in store” for Arda).Sassafras wrote:No. That's just too neat, it ties up loose ends and wraps them nicely in a ... a .... Christian package. That is not how I perceive the Silmarillion.Athrabeth wrote:I actually don't see it as "escaping the Doom of Men". With the remaking of Arda, the "circles of the world" would become a thing of the past, from my understanding of Tolkien's cosmogony. Arda Remade and Healed would not, I believe, be constrained any longer by the space/time continuum....it would, in essence, be heavenSassy wrote:I have a huge problem with Túrin escaping the Doom of Men, the circles of the world, and returning to a) slay Morgoth, b) slay Ancalagon or c) be counted among the sons of the Valar.
Is this another “Mannish” interpretation or, as it seems clearly indicated at the beginning of the Annals, the direct words of Rúmil? Hmmmmm.Then Varda went forth from the council , and she looked out from the height of Tanequetil, and beheld the darkness of the Earth beneath the innumerable stars, faint and far. Then she began a great labour, the greatest of all the works of the Valar since their coming unto Arda.
Now Varda took the light that issued from Telperion and was stored in Valinor and she made stars newer and brighter. And many other of the ancient stars she gathered together and set as signs in the heavens of Arda. The greatest of these was Menelmakar, the Swordsman of the Sky. This, it is said, was a sign of Túrin Turambar, who should come into the world, and a foreshadowing of the Last Battle that shall be at the End of Days.
So then, have you changed your mind about preferring the ending of the Silmarillion that CT substituted for the Second Prophecy?Athrabeth wrote:A similar notion strikes me when I read the discarded prophesy of the End of Days and the remaking of Arda that Tolkien wrote for the Quenta Silmarillion:
Thereafter shall Earth be broken and re-made, and the Silmarils shall be recovered out of Air and Earth and Sea; for Eärendil shall descend and surrender that flame which he hath had in keeping. Then Fëanor shall take the Three Jewels and bear them to Yavanna Kementári; and he will break them and with their fire Yavanna will rekindle the Two Trees, and a great light shall come forth. And the Mountains of Valinor shall be levelled, so that the Light shall go out over all the world.
To me, it seems so fitting that Air, Earth and Sea should hold each of the Silmarils safe and inviolate, and that their fire will rekindle the blessed Light of the Trees to illuminate the remade world. Symbolically, there is something beautifully and perfectly balanced to this passage from the prophesied end of the Tale of Arda - the circle made complete.
Actually, Ath, this isn't so contradictory as it seems. As my friend dna pointed out when I raised this elsewhere, the preamble to the Annals of Aman reads “Here begin the ‘Annals of Aman’. Rúmil made them in the Elder Days, and they were held in memory by the Exiles. Those parts which we learned and remembered were thus set down in Númenor before the Shadow fell upon it.” It is not at all strange that the remembrances of the Númenorians would have been flavored by such a Mannish myth.Athrabeth wrote:I’m rather unimpressed with Tolkien’s own assertion in his Commentaries on the Athrabeth that the Second Prophesy could not be “true” Elvish lore, but is instead a solely “Mannish” interpretation of that lore. This, I find to be quite perplexing, as I believe Tolkien was also working on the Annals of Aman at about the same time (late ‘50’s) and in that work, he writes (as cited in “Morgoth’s Ring”):
Is this another “Mannish” interpretation or, as it seems clearly indicated at the beginning of the Annals, the direct words of Rúmil? Hmmmmm.Then Varda went forth from the council , and she looked out from the height of Tanequetil, and beheld the darkness of the Earth beneath the innumerable stars, faint and far. Then she began a great labour, the greatest of all the works of the Valar since their coming unto Arda.
Now Varda took the light that issued from Telperion and was stored in Valinor and she made stars newer and brighter. And many other of the ancient stars she gathered together and set as signs in the heavens of Arda. The greatest of these was Menelmakar, the Swordsman of the Sky. This, it is said, was a sign of Túrin Turambar, who should come into the world, and a foreshadowing of the Last Battle that shall be at the End of Days.![]()
The passage that she quotes from is taken from the preface to the second edition of The Silmarillion, which contains large portions of Tolkien's 1951 letter to Milton Waldman of Collins Publishers, describing his mythology. How ironic is it that Christopher included those quoted words in the preface, and yet did not include the passage that they refer to in the published text. I continue to believe that his failure to do so constitutes a failure to properly reflect his father's vision (and I think that Flieger's words support that belief).Verlyn Flieger wrote:Tolkien wrote that the legendarium "ends with a vision of the end of the world, its breaking and remaking, and the recovery of the Silmarilli and the 'light before the sun' -- after a final battle which owes, I suppose, more to the Norse vision of Ragnarok than to anything else, though it is not much like it" (Silm xvi). I would be strange if he had not envisioned such an end, for the mythologies on which he draws most heavily, Judeo-Christian and Norse, both included remaking and renewal in surprisingly similar terms.
Ah, I should have clarified that the preamble that I quote comes from the alternative typescript that Tolkien made of the beginning of the Annals of Aman, which CT labels AAm* (see Morgoth's Ring, pp. 47 and 64-65). It is unclear which was made later.Athrabeth wrote:Voronwë, didn't Tolkien drop the original preamble that you quoted when he put together his later manuscript of the Annals of Aman? I'm referencing the version written after LOTR and included in Morgoth's Ring. Here, the only preamble seems to be: Here begin the Annals of Aman, which Rúmil made, and speak of the coming of the Valar to Arda.
In the previous version of the Annals, the later Annals of Valinor printed in The Lost Road, there is no discussion of authorship. But in the original version, the earliest Annals of Valinor, printed in the Shaping of Middle-earth, it is stated in that they are written by Pengalod of Gondolin, and translated by Eriol (Ælfwine). And while there is some confusion between the two different versions of the preamble to the Annals of Aman as discussed above, I agree that the Athrabeth commentaries make it clear that the idea of at least some of the material regarding the Elder Days being filtered through Mannish eyes was still very much alive. In fact, that idea would become more firmly fixed in Tolkien's mind, not less so, as indicated in this very interesting passage in one of the Myths Transformed texts (Text VII, entitled "Notes on motives in the Silmarillion):If he really did decide to drop the reference to Númenor for this later version, I find that very interesting, because he was revisiting and revising the Annals in the latter part of the 50's, around the same time as he was writing the Athrabeth and its commentaries, where he states that the Túrin prophesy is a reflection of Mannish yearnings. One would think that he would have, under the circumstances, retained the original preamble to the Annals to put that specific passage into the correct perspective.
It has to be remembered that the 'mythology is represented as being two stages removed from a true record: it is based first upon Elvish records andlore about the Valar and their own dealings with them; and these have reached us (fragmentarily) only through relics of Númenorean (human) traditions, derived from the Eldar, in the earlier parts, though for later times supplemented by anthropocentric histories and and tales. (Morgoth's Ring, pp. 401-402.)
I'm very glad to hear you say that. It feels "right" to be aligned with you on this again.You know, I think that subliminally, deep in his heart of hearts, Tolkien knew that the Second Prophesy somehow brought the Sil to its proper closure as a myth. When I reread what I had written about the Light of the Trees, it really dawned () on me that there is a symbolic and thematic "completeness" to the Prophesy that does indeed feel very right.
A few days ago, I said that I still thought that the ending of the published Sil fits it beautifully........and funnily enough, I still do. But now, after mulling it over (and over and over) I think the Second Prophesy feels more like an ending that befits a grand myth.
I think it was a slip-up. Remember, he added that preface to the second edition. I think he just didn't think it through that he was including something that specifically referred to an important part of the mythology that he had removed.ETA: Voronwë, I also think it extremely odd that CT would include that quote in the preface and yet fail to include the referenced passage at the end of the Sil.
I suspect like many others, I'm in two minds as to whether I prefer the published Sil ending or the Prophecy itself. I think the published ending is the words of a more mature and reflective man than the one who wrote the Prophecy. I find myself agreeing with Athrabeth's I like the mystery of it, that tinge of darkness and uncertainty that remains wrapped in possibilities that may or may not come to pass.Here ends the Silmarillion. If it has passed from the high and beautiful to darkness and ruin, that was of old the fate of Arda Marred; and if any change shall come and the Marring be amended, Manwë and Varda may know; but they have not revealed it, and it is not declared in the dooms of Mandos. If it has passed from the high and beautiful to darkness and ruin, that was of old the fate of Arda Marred; and if any change shall come and the Marring be amended, Manwë and Varda may know; but they have not revealed it, and it is not declared in the dooms of Mandos.
Yet the descendants of Túrin hold that at the End of Days he shall return and his Black Sword shall deal unto Morgoth his death and final end; and so shall the children of Húrin and all Men be avenged.
So it seems that Galadriel, the greatest of the exiled Noldor in Middle-earth and one who would have learned, first-hand, the lore of the Valar in Aman, believes that the world will be re-made.Then Treebeard said farewell to each of them in turn, and he bowed three times slowly and with great reverence to Celeborn and Galadriel. 'It is long, long since we met by stock or stone, A vanimar, vanimalion nostari!' he said. 'It is sad that we should meet only thus at the ending. For the world is changing: I feel it in the water, I feel it in the earth, and I smell it in the air. I do not think we shall meet again.'
And Celeborn said: 'I do not know, Eldest.' But Galadriel said: 'Not in Middle-earth, nor until the lands that lie under the wave are lifted up again. Then in the willow-meads of Tasarinan, we may meet in the Spring. Farewell!'
The remaking of lands could certainly be described as "catastrophic", but describing a belief that drowned lands will be lifted up again is a bit more specific than that.The Elves expected the End of Arda to be catastrophic. They thought that it would be brought about by the dissolution of the structure of Imbar at least, if not of the whole system. The End of Arda is not, of course, the same thing as the end of Eä. About this they held that nothing could be known, except that Eä was ultimately finite. It is noteworthy that the Elves had no myths or legends dealing with the end of the world. The myth that appears at the end of the Silmarillion is of Númenórean origin; it is clearly made by Men, though Men acquainted with Elvish tradition. All Elvish traditions are presented as 'histories', or as accounts of what once was...
Author's notes on the Commentary to the Athrabeth, HoME X