
And regarding the simultaneous screening in Wellington, I wonder (cynically) how much of that is more damage limitation in response to the Kiwi actors missing the London jolly?
Well, a lot of RPG stuff does draw from the sometimes absurd well of myth, so it doesn't bother me.Dave_LF wrote:The whole idea of a dwarf riding a pig is such an over-the-top RPG-style concept, does it really make any difference what type of pig it is?
This really makes me wonder about how heavy a hand Warner Brothers had in this production. They may be more responsible than we think for some of the more lackluster and conventional elements of the films.Voronwë the Faithful wrote:That makes sense.Elentári wrote:Yup, agree with Frelga....I think Gandalf's words are referring to Sauron's plans...HE meant to stop Thorin via Azog, before he got anywhere near the Lonely Mountain...Voronwë the Faithful wrote:It's definitely a mystery! Hopefully it will make some sort of sense in context.
Edit: This was in response to the comment/question about Gandalf's comment about the dwarves not being meant to enter Erebor.
Have you read those articles at Dark Jackal's site? Anything worthwhile?
ETA: I see that some pretty woman elsewhere said "further confirmation it was the Studio that asked for the Love-triangle, in the FilmInk article...
Lilly says that there was no triangle in Principal Photography, then the suits watched the rough cut and said they were confused about what was happening with the characters (Legolas, Tauriel, Kili) so they realized they (I paraphrase) needed to make the storyline less subtle to come over better... "
I'm quite sure the three film split was mostly or purely WB's interjection.Voronwë the Faithful wrote:I don't know about that. There have been multiple references to this one item, and only this one item. That suggests to me that the studio's influence may have been limited to ... this one item.