Classical music fans?
- Primula Baggins
- Living in hope
- Posts: 40005
- Joined: Mon Nov 21, 2005 1:43 am
- Location: Sailing the luminiferous aether
- Contact:
Hey, Nel hasn't been back since yesterday morning. She can't blame us for what we did to her rumpus room.
“There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”
― J.R.R. Tolkien, The Return of the King
― J.R.R. Tolkien, The Return of the King
oooh-ooh, thanks for the tip.Primula Baggins wrote:There was an interesting article in a recent New Yorker pointing out that "concert etiquette" is a fairly recent development—that audiences used to wander around and chatter during concerts, and that it was very rare to hear more than a single movement of a symphony or concerto; concerts were made up of excerpts and famous bits, and it wasn't unheard of for people to shout requests at soloists—and not for encores, either. Beethoven's Ninth Symphony was daringly innovative in that it starts softly—it assumes the audience is already listening, which was not common then.
Now, of course, we all know not to clap between movements (also a new development) and not to applaud at the end until the conductor lowers his or her baton. But we weren't always so well trained.
'You just said "your getting shorter": you've obviously been drinking too much ent-draught and not enough Prim's.' - Jude
Prim:
As for concert hall etiquette...
When the impressionist composer Satie performed, he actually wanted his audience to let their minds (and bodies) wander. He was the originator of what we'd now call "background music," and was perhaps the only serious artist ever to compose music meant to be heard while otherwise occupied.
Well-behaved audiences would be stunned when, while performing, he would shout: Don't just sit there! Get up and do something!
As for concert hall etiquette...
When the impressionist composer Satie performed, he actually wanted his audience to let their minds (and bodies) wander. He was the originator of what we'd now call "background music," and was perhaps the only serious artist ever to compose music meant to be heard while otherwise occupied.
Well-behaved audiences would be stunned when, while performing, he would shout: Don't just sit there! Get up and do something!
- axordil
- Pleasantly Twisted
- Posts: 8999
- Joined: Tue Apr 18, 2006 7:35 pm
- Location: Black Creek Bottoms
- Contact:
Music designed to be played by a full orchestra or a subset thereof, with or without solo instrumental, solo vocal and/or choral assistance. There, that was easy.When we say classical music, do we mean music of the classical era or all the different genres that fall under the umbrella of "classical"?
- Primula Baggins
- Living in hope
- Posts: 40005
- Joined: Mon Nov 21, 2005 1:43 am
- Location: Sailing the luminiferous aether
- Contact:
Shocking!
But he certainly did write some lovely "background music."
But he certainly did write some lovely "background music."
“There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”
― J.R.R. Tolkien, The Return of the King
― J.R.R. Tolkien, The Return of the King
-
- This is Rome
- Posts: 5963
- Joined: Thu Dec 01, 2005 11:48 pm
- Location: Concrete Jungle by the Lagoon
*waives*axordil wrote:Wouldn't we want to try to drag in some of the more musically inclined folks around into the discussion? You know, the ones with training? I mean, we have writers talking about reading...
[edited detailed description of classical qualifications ]
I respectfully request Ax's permission to participate in my thread.
Last edited by nerdanel on Wed Sep 10, 2008 3:18 am, edited 1 time in total.
I won't just survive
Oh, you will see me thrive
Can't write my story
I'm beyond the archetype
I won't just conform
No matter how you shake my core
'Cause my roots, they run deep, oh
When, when the fire's at my feet again
And the vultures all start circling
They're whispering, "You're out of time,"
But still I rise
This is no mistake, no accident
When you think the final nail is in, think again
Don't be surprised, I will still rise
Oh, you will see me thrive
Can't write my story
I'm beyond the archetype
I won't just conform
No matter how you shake my core
'Cause my roots, they run deep, oh
When, when the fire's at my feet again
And the vultures all start circling
They're whispering, "You're out of time,"
But still I rise
This is no mistake, no accident
When you think the final nail is in, think again
Don't be surprised, I will still rise
What about chamber choral music? A cappella, as it were.Music designed to be played by a full orchestra or a subset thereof, with or without solo instrumental, solo vocal and/or choral assistance.
I just want to know how far the range of what we might be listening to will extend...
Why is the duck billed platypus?
- Primula Baggins
- Living in hope
- Posts: 40005
- Joined: Mon Nov 21, 2005 1:43 am
- Location: Sailing the luminiferous aether
- Contact:
There is also classical music for solo instruments—sonatas and such.
It might be easier to define it as Whistler began to—by saying what it isn't.
It might be easier to define it as Whistler began to—by saying what it isn't.
“There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”
― J.R.R. Tolkien, The Return of the King
― J.R.R. Tolkien, The Return of the King
I've lost track of the requirements, so allow me to plug Schumann's Marchenbilder. Yes, it's a sonata for the lowly viola, but give it a listen. It's magic. The second movement never fails to make me smile and skip (but the latter only happens if no one is watching).
When you can do nothing what can you do?
- Primula Baggins
- Living in hope
- Posts: 40005
- Joined: Mon Nov 21, 2005 1:43 am
- Location: Sailing the luminiferous aether
- Contact:
That's cheating. The empty set is a subset of all sets.
And there are "classical" instruments not used in orchestras as a rule—the organ, the harpsichord, and of course the sackbut.
And there are "classical" instruments not used in orchestras as a rule—the organ, the harpsichord, and of course the sackbut.
“There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”
― J.R.R. Tolkien, The Return of the King
― J.R.R. Tolkien, The Return of the King
Let's see...
It never has Britney Spears on the cover.
It never involves musicians who are regularly involved in shootouts or Girls Gone Wild videos.
It's never performed on American Idol.
It's never heard blaring out at traffic lights.
It's never heard at the end of movies based on video games.
It's never heard at tractor pulls, monster truck rallies or cage wrestling matches.
Oh, this is too easy. Not worthy of me.
It never has Britney Spears on the cover.
It never involves musicians who are regularly involved in shootouts or Girls Gone Wild videos.
It's never performed on American Idol.
It's never heard blaring out at traffic lights.
It's never heard at the end of movies based on video games.
It's never heard at tractor pulls, monster truck rallies or cage wrestling matches.
Oh, this is too easy. Not worthy of me.
- Primula Baggins
- Living in hope
- Posts: 40005
- Joined: Mon Nov 21, 2005 1:43 am
- Location: Sailing the luminiferous aether
- Contact:
Clearly you've never been behind my minivan at a traffic light, especially toward the end of the Dona Nobis Pacem in Bach's B minor Mass.It's never heard blaring out at traffic lights.
“There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”
― J.R.R. Tolkien, The Return of the King
― J.R.R. Tolkien, The Return of the King
Or my friend Carmel and I... Somehow, Monteverdi isn't the same at millions of Decibels...Primula Baggins wrote:Clearly you've never been behind my minivan at a traffic light, especially toward the end of the Dona Nobis Pacem in Bach's B minor Mass.It's never heard blaring out at traffic lights.
Ok, I get the idea of what the parameters are.
So what are we listening to?
Why is the duck billed platypus?