LotR: What do you dislike about the Books?
Actually, I did care.Cerin wrote:Saying one never found anything to dislike in the books is not the same as a claim that they're perfect in some objective sense!
*pets Cerin*
I agree with you.
Do I care if others think they are trash? No. Not one bit.
I was the only Tolkien fan I knew for years.
Everybody else I knew didn't think much of the book at all.
So I was very shy of declaring my Tolkien colours. I felt embarrassed to. This wonderful book just had this huge great GEEK notice over it. If you read it, you were a hopeless GEEK. *sigh*
That all changed, in December 2001.
"Frodo undertook his quest out of love - to save the world he knew from disaster at his own expense, if he could ... "
Letter no. 246, The Collected Letters of J.R.R. Tolkien
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Letter no. 246, The Collected Letters of J.R.R. Tolkien
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- axordil
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You know, when people ask me what I think the greatest movie ever made was, and I tell them, they look at me funny and ask "you think that was the best movie ever made?"
I remind them that's not what they asked.
To love someone, or something, is to love them in spite of, or in some cases because of, their objective flaws.
I remind them that's not what they asked.
To love someone, or something, is to love them in spite of, or in some cases because of, their objective flaws.
That's why I love LOTR more than P&P.axordil wrote:To love someone, or something, is to love them in spite of, or in some cases because of, their objective flaws.
(And I happen to regard P&P as one of the most perfect novels in English literature.)
"Frodo undertook his quest out of love - to save the world he knew from disaster at his own expense, if he could ... "
Letter no. 246, The Collected Letters of J.R.R. Tolkien
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Letter no. 246, The Collected Letters of J.R.R. Tolkien
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That wasn't yelling. That was making use of the variations in color and text size available to us, to make my comment stand out.
eta: I've gone back and reduced the size a bit.
eta: I've gone back and reduced the size a bit.
Last edited by Cerin on Thu May 11, 2006 3:25 pm, edited 1 time in total.
:D:DCerin wrote:That wasn't yelling. That was making use of the variations in color and text size available to us, to make my comment stand out.
The yelling made me laugh.
"Frodo undertook his quest out of love - to save the world he knew from disaster at his own expense, if he could ... "
Letter no. 246, The Collected Letters of J.R.R. Tolkien
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Letter no. 246, The Collected Letters of J.R.R. Tolkien
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- Old_Tom_Bombadil
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My dear Hobby, Mr. was pulling our legs.truehobbit wrote:So, you really believe that something like a "correct" style exists?Someday (next Thursday, perhaps) we'll have computer-written novels that will be without lapses in style or logic.
But only in hindsight. At the time we're given insight into the fox's thoughts, it's not. (Thoughts, mind you. If you read carefully you'll see that he doesn't actually speak.) I would argue that a real fox might think along those lines, by the way, only in not quite so sophisticated a fashion.Alatar wrote:An example is the "sentient fox". It would not be out of place in "The Hobbit", but in "The Lord of the Rings" it's glaringly inconsistent.
I think Galadriel as a character stands fully on her own without the additional background from The Silmarillion. The only thing I can think that The Sil really adds to her in terms of LOTR is it gives the reader a greater understanding of her situation as an Exile.Pearly Di wrote:I must also add that Galadriel is my favourite Elf bar none in LOTR. However, even Galadriel would not be quite the same without her Silmarillion background, which gives her far greater depth and, frankly, spirit.
Very profound...and very true.axordil wrote:To love someone, or something, is to love them in spite of, or in some cases because of, their objective flaws.
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I think Di is onto something here. I have a lot of the same feelings. Pride and Prejudice seems just about perfect to me in every way, and I reread it with great pleasure—but like Di, I'm not passionate about it, as I am about LotR.
Some works just seem to be able to inspire passion. And it doesn't correlate with their flawlessness as art. In fact at some point there's a negative correlation; I've read books written with astonishing artistry and beauty that were cold as ice and that I forgot almost at once.
LotR is—warm, somehow.
Some works just seem to be able to inspire passion. And it doesn't correlate with their flawlessness as art. In fact at some point there's a negative correlation; I've read books written with astonishing artistry and beauty that were cold as ice and that I forgot almost at once.
LotR is—warm, somehow.
“There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”
― J.R.R. Tolkien, The Return of the King
― J.R.R. Tolkien, The Return of the King
- Primula Baggins
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I've been thinking about this while running errands, and I think one of the things about LotR that draws me in is the idea that this is a look into a real, complex, interesting world with a long history and with plenty going on outside the narrative. Most of the books I dearly love seem to have that quality, as does the science fiction I like best.
P&P is a little bit of ivory, exquisite and beautiful, but it tells me everything I need to know about the places and people in it. It's self-contained. It's small, somehow.
LotR has mystery. There are things we aren't told. There are things we see hints of, but no more. There are inconsistencies as maddening as any in real life. The borders are hazy and you can see things moving in the distance, but you can't make them out. Even the ending, the ultimate fates of all the main characters, is cloaked in "It is said."
You could live there for a lifetime and not explore a fraction of it.
P&P is a little bit of ivory, exquisite and beautiful, but it tells me everything I need to know about the places and people in it. It's self-contained. It's small, somehow.
LotR has mystery. There are things we aren't told. There are things we see hints of, but no more. There are inconsistencies as maddening as any in real life. The borders are hazy and you can see things moving in the distance, but you can't make them out. Even the ending, the ultimate fates of all the main characters, is cloaked in "It is said."
You could live there for a lifetime and not explore a fraction of it.
“There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”
― J.R.R. Tolkien, The Return of the King
― J.R.R. Tolkien, The Return of the King
I always skim over the poetry. Even in the audio books, when the songs come up, my husband and I fast-forward through them.
I'll be the first to admit I don't *get* poetry. I don't like it and don't appreciate it and certainly don't get anything beyond mere factual information from it. So, I have no idea whether the poetry in LOTR is even any good or not.
But I don't enjoy it and always skip or skim it- but I would never dream of editing it out of the book. It's just this part I don't read: a blank spot with a POETRY stamp over it.
I'll be the first to admit I don't *get* poetry. I don't like it and don't appreciate it and certainly don't get anything beyond mere factual information from it. So, I have no idea whether the poetry in LOTR is even any good or not.
But I don't enjoy it and always skip or skim it- but I would never dream of editing it out of the book. It's just this part I don't read: a blank spot with a POETRY stamp over it.
I skipped over the poetry before, but this time, I'm doing my best to give it a good read. I don't really get a lot of poetry either, but some of Tolkien's stuff is nice.
Although I do find it strange that these characters just break out into song or reciting poetry and are also somehow able to come up with good poems on the spot. It does take me out of the story a bit.
Tom, you said not enough Bombadill...I'm the opposite I'm afraid. Tom's "Hey dol, merry dol" stuff is annoying to me.
Although I do find it strange that these characters just break out into song or reciting poetry and are also somehow able to come up with good poems on the spot. It does take me out of the story a bit.
Tom, you said not enough Bombadill...I'm the opposite I'm afraid. Tom's "Hey dol, merry dol" stuff is annoying to me.