To start, from The Master and Margarita, the urban fantasy classic by Mikhail Bulgakov, whose birthday is on May 15th.
“I challenge you to a duel!” screamed the cat, sailing over their heads on the swinging chandelier.”
“I challenge you to a duel!” screamed the cat, sailing over their heads on the swinging chandelier.”
- Amelia Peabody in Deeds of the Disturber, Elizabeth PetersIn the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)
The car is actually a demon from Hell. But that's only to be expected.Inanna wrote:Said the CAT? *puts on reading list*
I love the Emerson cats! Also love the use of "profane" in that sentence.Continuing the theme of cats:
- Amelia Peabody in Deeds of the Disturber, Elizabeth PetersIn the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)
Of that new, "virtuous" life (it absolutely had to be "virtuous"), [Dmitry] would dream and daydream constantly, obsessively. He craved that renewal and regeneration. The foul quagmire in which he was sinking of his own volition made him sick and, like so many others under such circumstances, he believed in the magic of a change of place--just to get away from this spot, to be surrounded by different people, to be in a different situation, where everything would be new and different!
(background: Detective Sergeant Paula McIntyre and DC Karim Hussein are headed to the home of a recent murder victim)
Karim turned into the grounds of a boxy 1960s block that had probably replaced a pair of substantial semis. He hesitated, stating at a sign that read, PRIVATE. RESIDENTS PARKING ONLY.
"Ignore it," Paula said. "Just find a space."
"What if they clamp it?"
"They won't. I can always nick them for failing the correct use of the apostrophe."
Val McDermid, "Dead Beat""Well, all I can say is we've never had any trouble in this village 'til we had so-called rock stars living here." Her mouth pursed, revealing a nest of wrinkles she'd have been mortified to see in a mirror.
None of these temptations, however, was conductive to finding Gladstone a wife. This he set about without guilt but also without guile. His first target was Caroline Farquhar, the sister of an Eton friend and the daughter of a Surrey Baronet of considerable and somewhat older wealth than the Gladstones. The family did not therefore regard Gladstone as a particularly good match, but nor would they have been likely to be resistant had miss Farquhar, who was considered by Gladstone and others to be a ‘beauty’, been responsive.
She was exactly the reverse. Gladstone persuaded himself that her religious position was satisfactory, but may well have over-estimated the aphrodisiacal effect of telling her this. He also mistakenly believed appeals to her father and brother would advance his suit. He had no idea how to interest her. She had no insight to the qualities behind his awkwardness. Her main contemporary comment (a little unreliably recorded in Farquhar family lore) was the exclamation, when she saw Gladstone walking across her family’s park at Polesden Lacey with a case in his hand: “Mama, I simply cannot marry a man who carries his bag like that”.
He started on 31 August [1893] which was a few days after the third and most farcical of his three accidents of that summer. After an afternoon drive with his wife he “walked and came unawares in the quietest corner of the park on a dangerous cow which knocked me down and might have done serious damage”. There are slightly more dramatic versions, including Magnus’ statement that he had to lie down, feigning to be dead, until the cow’s attention was distracted and he could escape first behind a tree and then back to the Castle. The malfeasant beast was apparently not part of a dairy herd but a wild heifer which had intruded into the park and was subsequently shot. It was compensated by the tributes of having its head permanently displayed at the Glynne Arms in Hawarden village, and of evoking an elaborate wreath dispatched with the card inscribed “to the patriotic cow which sacrificed its life in an attempt to save Ireland from Home Rule”. Gladstone, although he had walked home and sat down calmly at dinner, suffered a few weeks of mild ill-effect, which was not surprising at nearly eighty-three.
Then in June 1893 two British men-of-war, Camperdown and Victoria, collided with vast loss of life. The combination of circumstances produced a naval panic, which was carefully fanned by the Times and some other newspapers. It cannot be said it was wholly logical. It was not obvious, for instance, that the answer to the problem of British ships running into each other was to have more of them.
As the Death of Discworld said, "THAT WILL BE AN IMPORTANT LESSON."Primula Baggins wrote: I should probably read the real history Túrin points us toward. The only problem is, there's no guarantee that the good guys win.
Oh now that's good.It was not obvious, for instance, that the answer to the problem of British ships running into each other was to have more of them.
All right," said Susan. "I'm not stupid. You're saying humans need... fantasies to make life bearable."
REALLY? AS IF IT WAS SOME KIND OF PINK PILL? NO. HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE.
"Tooth fairies? Hogfathers? Little—"
YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES.
"So we can believe the big ones?"
YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING.
"They're not the same at all!"
YOU THINK SO? THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET—Death waved a hand. AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME...SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED.
"Yes, but people have got to believe that, or what's the point—"
MY POINT EXACTLY.
Huh. We've been told that his voice "arrived" directly into the listener's brain without passing through the ears. But I feel like he would make an effort anyway and articulate to the extent that he's able.Inanna wrote:Oh that’s a really nice comic. VERY well
Illustrated.
ETA: although I never imagined Death actually opening his jaws to speak. That’s kind of working, but feels wrong.
"You can't give her that, it isn't safe!"
IT'S A SWORD, THEY'RE NOT MEANT TO BE SAFE!
"But she's a child!"
IT'S EDUCATIONAL.
"What if she cuts herself!?"
THAT WOULD BE AN IMPORTANT LESSON.