The History of the Silmarils, a Television Adaptation
“Do not laugh! But once upon a time (my crest has long since fallen) I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story… I would draw some of the great tales in fullness, and leave many only placed in the scheme and sketched. The cycles should be linked to a majestic whole and yet leave scope for other minds and hands, wielding paint and music and drama. Absurd.” JRRT
Season 1 - The Tale of Fëanor
Episode 1 PROLOGUE
Scene opens with aerial shots of Minas Tirith, gradually zooming closer and ending up on the Citadel. It is the Fourth Age, about 10 years into the reign of King Elessar. We see Gondorians going about their business, and the camera weaves between them, pausing on various tableaux then moving on again. We end up in a council chamber where King Elessar is receiving petitions/holding a ouncil meeting. We observe the goings on for a while.
8-year-old Eldarion enters from right. He dodges between Councillors and runs straight to his father. Camera focus on Eldarion’s face, which looks both distressed and hopeful.
Eldarion: Take me swimming, I beg you, Ada!
Aragorn: [hiding a smile as best he can] Perhaps later, Eldarion. I have to finish this.
Eldarion: Can you not finish later?
Aragorn: [sigh] Almost I wish that I could, my son. [kneels beside Eldarion] Unfortunately, there are times when a king must attend to business. Speaking of which, why are you not at your lessons?
Eldarion: I ran out when Tutor was not looking. I find my lessons boring. [Looks up] The river looks so cool and inviting...
Aragorn: I realize your lessons may not be what you would wish to do, but if you are going to be king after me then you must learn to serve your land and people first and yourself only after all is done as it should be. That is the way of the world.
Eldarion: [grimaces] What is the good of being king if you have to work all the time. I do not think I shall like being King!
[Camera pans Councillors. Looks vary from shock to amusement. Camera shift to Tutor, enters right.]
Tutor: [bows low] Forgive me, Your Grace. I fear the young master slipped away from me.
Aragorn: [stands] It is quite all right. I believe he is ready to return to his lessons. [looks down at Eldarion] You are, are you not? I will be up to fetch you as soon as your lessons are done.
Eldarion: [stares at shoes] Promise?
Aragorn: [nods. Places hand on heart] Eldarion: You have my word. [Eldarion follows Tutor… exit right. Camera follows them out]
Cut to the classroom.
Eldarion staring out of the window at the river and green banks. Tutor has his back to Eldarion, drawing a family tree on a chalkboard.
Tutor: …And so King Eärnur died without living issue and from then on Gondor was ruled by a line of noble and wise Stewards, of which Lord Faramir is the descendant. A fine example of everything the line should be, if I may inject my own opinion. Then again, as I am a well-read scholar my opinion carries much weight and you . . .
[Camera shift right. Arwen enters and stands in the doorway. She is noticeably pregnant. She studies her daydreaming son and smiles indulgently.]
Tutor: [turns] Young Master! Have you heard a word I have said?
Eldarion: [jumps] Yes. [sees Arwen, slides out of his chair and runs to her.] Mama!
Arwen: [hugs Eldarion] I missed you. [straightens & addresses Tutor] And I wondered if you might welcome an early repast?
Tutor: [relieved] I would, Your Grace. Thank you. [exits quickly, muttering]
[Camera follows Arwen to the window. She sits down. Eldarion climbs into her lap.]
Arwen: [hugs Eldarion] Now, my little one, what is wrong?
Eldarion: I am tired of lessons.
Arwen: But I thought you liked stories. History is a very important story.
Eldarion: I know, but the tutor makes it as dry as old bones. All he talks about is dead people in Gondor.
Arwen: [soft laughter] What would you like to hear about?
Eldarion: [looks at a map of Middle-earth on the wall and traces the outline of his father’s kingdom] There are so many other places on this map, I have heard tales of some of them, [points to Rohan] that is where King Éomer rules…and there [points to the Shire] is the wondrous land of Frodo the Ring-bearer and his friends; and here, Mother, is Imladris, where you were born….so many marvellous places, [brightens] if we could only go there, just for a visit, I might learn so much…
Arwen: You will, surely, Eldarion, when you are old enough. Your Father will be only too pleased to show you the places he travelled in his younger days.
Eldarion: I wish I could go sooner! I wish to see more Elves before they disappear altogether from our world.
Arwen: Patience, my son. I promise you will see them someday.
Eldarion: But they are leaving. You keep saying that they have gone into the West…where is this place? I have not seen it on any map.
Arwen: You will not find it on any map, Eldarion, it is beyond the reach of any left in Middle-earth, save those of the Eldar who yet remain in Middle-earth.… [she utters a small sigh]. But once, many ages ago, the world of Arda was very different…Come, I have something to show you. [she takes him by the hand and they leave the room.]Cut to a corridor in the palace, where they stop outside a door.
Arwen: In here, Eldarion, you will find a record of the history of the Elves on Middle-earth….
[They enter, and we see a room which is part library and part museum, with books, maps, paintings, statues, artefacts, and all sorts of memorabilia that Arwen and Aragorn have collected to preserve the memory of older times. It is a private place for her and Aragorn. She takes Eldarion over to an ancient map of Middle-earth and the Undying Lands when the continents were “separate” but joined by the Helcaraxë.]
Arwen: Even this is not how our world looked when it was new. Have I ever told you the story of Manwë and Ulmo and Melkor, and how they shaped the world around us?
Eldarion: No. [looks hopeful] Is it exciting?
[Here we go into the creation story, for roughly 8 mins of CGI animation, with Arwen voiceover.]
Arwen: Ages ago, before time began, [fade to black screen, or possibly a scene of outer space] there was Eru Ilúvatar, the One. [a ball of light appears, like a nebula] He made the Ainur, or “Holy Ones” out of his thought, and they were the first. [we see beams of light generated from this central nebula, and they separate from it into individual, smaller bodies of light in different colours]
Eru taught the Ainur music, giving each of them a small part of his understanding only, and they sang. They listened and understood each other, and learnt to combine their voices in wondrous harmony. [this is visualized on the screen, with appropriate instrumental sounds to identify each Ainu]
Eru brought all the Ainur together and declared that they would make a great symphony from a theme he would give them. They were to weave their own thoughts and ideas into this Music. [We hear the beginnings of a symphony; the lights weave and intertwine to symbolize the harmonies of the music that is heard]
However, Melkor, the most powerful Ainur of all, [camera identify his ‘light body’] desired to create tunes of his own. These he began to interweave into the music, to increase the power and the glory of his own part. [focus on Melkor’s light body and the strident tune it weaves]
Straightaway discord arose about him, and many of the other Ainur were disturbed and they stopped singing. And some began to follow Melkor’s music rather than the original theme. [some lights separate from the mass and are silent, the remainder of the mass divides into two halves, with Melkor in one half]
Eru listened, and it seemed to him that the sound was like a raging storm; He smiled, and began a new tune, which gathered power and had new beauty. But the discord of Melkor rose again. There was a war of sound more violent than before, until many of the Ainur were dismayed and sang no longer, and Melkor had the mastery. [again this is all acted out by the lights and music, as is the next sequence below]
This time Eru was stern. He began a third theme which was different again. At first it seemed soft and sweet, but it had power and great depth. So the two themes played together: The new theme was very sad and yet very beautiful, while Melkor’s music was loud and pompous and repetitive. Melkor tried to drown out the new theme, but he could not. The sorrowful one merely took his greatest notes and wove them into its own solemn pattern. Then Eru spoke and suddenly the Music ceased. [Nebula flares and music and dancing lights are still]
Voice of Eru: ‘Mighty are the Ainur and mightiest among them is Melkor; But I am Eru! I will show you those things which you have sung, and you will see what you have done.’ [Nebula flares closer to Melkor’s light] ‘And, you, Melkor, shall see that no theme may be played that does not have its source in me, nor can anyone alter the music against my will. Any that attempt this shall only prove my instrument in creating things more wonderful than he could possibly imagine.’
Arwen: Then Melkor was filled with shame, which turned into a secret anger. [Melkor’s light “blushes”/deepens in colour]
Voice of Eru: ‘Behold your Music! This is what you have created, and each of you shall find within it all those things of which you have sung, and also those which you have not conceived of.’ [we see the earth as a globe spinning in the Void, and the camera closes in so that the landscape can be seen in full detail, and finally we see newly-awakened Elves and Men walking around.]
Arwen: Before them, the world moved and unfolded its history. Within were included the ideas which each of the Ainur devised or added. Even the secret thoughts of Melkor were a part of its glory. And they saw the Music had far more purpose than its beauty, for they had created a habitation for the Children of Eru - Elves and Men -who were conceived by Him alone within the Third Theme.
Yavanna: [admiring] ’So beautiful’
Ulmo: ‘I see water given form, and more beautiful than ever I imagined it.’
Manwë: ‘And the clouds… dancing to the tunes the wind plays. Perfect.’
Varda: ‘But is it merely a vision of music given form? Or is this a foresight of what will come?’
Arwen: Then Eru took away the vision and the Ainur became restless.
Nienna: [disappointed] ’It was no more than a dream’.
Manwë: ‘I am confident that Eru has a plan to see all come real.’
Aulë: ‘Can we not make it real now? I am eager to lift the mountains.’
Melkor: [impatient] ‘We must begin immediately. All must be ready for Eru’s children when they awaken. Come! Enough of singing to the darkness; there is work for all hands here.’
Arwen: And Melkor led the Ainur in their eagerness to make the vision real. Secretly he desired to make subjects and servants of the Elves and Men and to be called Lord of that world. Eru perceived their desires, and made the vision real.
Eru: ‘Let these things Be!’
[a glowing cloud forms in the dark void, with what appears to be a flame glowing in its center. The world forms in that flame as a glowing ball of half molten rock and clouds. Lightning flashes from cloud to surface as we watch the world form.]
Melkor: [to himself] ‘Now I will create MY vision.’
Aulë: ‘Our work is laid before us. Let us not be idle.’
Arwen: Eru allowed those Ainur who so wished to descend into the world, but under the condition that their power should be contained and bound within the world until the end of days, so that they are its life and it is theirs. Those that descended are called the Valar, the Powers of the World. First came 3 of the mightiest of the Valar: Manwë, Ulmo and Aulë. [as each is named we see the light descending and shaping itself into a form of a humanoid representing the elements before it touches the surface. The earth is still dark and barren, with lava and gasses leaking out of the ground and lightning striking randomly.]
Each of the Valar was attracted to a particular aspect of the world that became the focus of their powers: Manwë to the air, Ulmo to the water and Aulë to the earth…
Melkor came also. [Melkor’s light descends. He takes a form greater in majesty and power than the others] Melkor was drawn to terrible extremes and violence — bitter cold, scorchig nheat, earthquakes, rendings, breakings, utter darkness, burning light. He worked to turn all to his own desires as the Valar strove to subdue the tumults of the Earth and bring order out of chaos. [We watch the four Valar shape the Earth. Aulë raises mountains with his hands and carves out valleys. Ulmo draws water from steam to fill seas and rivers. Melkor controls the volcanoes. Manwë calms the lightning and shapes clouds that bring rain to cool the ground. We watch green shoots spring up.]
Melkor: ‘This world I name unto myself for my own kingdom. I will rule here unhindered.’
[Ulmo & Aulë grumble]
Manwë: ‘That you shall not do. All worked to shape this world; it is not yours alone.’
Melkor: ‘We shall see…’
Arwen: Then strife came between the Valar. Even as they strove to ready the Earth for the coming of the Firstborn, Melkor did what he could to destroy the works the others had built, while they sought to subdue him. His mood and malice caused his form to be dark and terrible ‘…crowned with smoke and fire; and the light of his eyes was like a flame.’ Nothing had peace or lasting growth. [Volcanoes spring from nowhere. We see Melkor smash mountains, Ulmo douses volcanoes in tsunamis of ocean water, lightning is thrown by both Manwë and Melkor, Aulë traps flame in rock.]
At last Melkor withdrew, though he did not give up his desire to rule the entire world. And yet, though nothing was completely as the Valar originally intended, Arda, the Earth, was fashioned and made firm.
Camera fades in on the room again. Focus on Arwen and Eldarion. Shadows are noticeably longer
To be continued...
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NOTES
The inspiration for the animated ainur sequence came from these images of the Aratar by ~clepweb on DeviantArt:
